PPP – Production Manager

Production Manager is the ultimate role that I see myself in as it overseas all aspects of the production and appears to be a challenging role.

Production Managers run productions on behalf of the Producer and Line Producer. They help to determine the most efficient and economic way to schedule shoots, negotiate business deals for crews, locations and technical equipment, and make day-to-day production decisions to ensure that productions proceed smoothly. Production Managers are dynamic and highly self-motivated individuals. They should be excellent communicators, prepared to work very long hours, and able to react calmly under intense pressure. The role is challenging but well paid, usually on a freelance basis. Production Managers are in charge of the expenditure of the ‘below-the-line’ budget.

Pre Production

Production Managers work closely with the Producer, Line Producer and First Assistant Director to break down the script page by page, and to prepare a provisional schedule. Production Managers then consult with the various Heads of Department to estimate the materials needed, and to assist in the preparation of draft budgets. Once the overall budget has been signed off, Production Managers assist Producers in interviewing and selecting crews and suppliers to meet production requirements. They help to negotiate rates of pay, and conditions of employment, ensuring compliance with regulations and codes of practice. They negotiate, approve and arrange the rental and purchase of all production materials, equipment and supplies. Production Managers oversee the search for locations, sign location releases, and liaise with local authorities and the Police regarding permits and other permissions. On smaller productions they may also negotiate contracts with casting agencies.

Production

Production Managers ensure that all bills are paid, that tasks are delegated properly, and that people work well together. Their responsibilities include:
setting up and implementing financial monitoring systems; controlling production expenditure; monitoring and controlling the progress of productions; overseeing production paperwork, such as releases, call sheets, and daily progress reports; and liaising with the First Assistant Director on set, to ensure that the production schedule and departmental budgets are on target. Production Managers sign and authorise all purchase orders, and help the Production Accountant to prepare weekly cost reports. They make changes to the schedule and to the budget as required, and ensure that these changes are brought to the attention of all relevant personnel. Production Managers deal with any personnel problems or issues that may arise, and ensure that all Health and Safety regulations are adhered to.

End of Production ‘Wrapping’

At the end of the shoot, the Production Manager ‘wraps’ the production. This involves ensuring that all final invoices for services provided are received, checked and passed for payment, overseeing that locations are signed off in accordance with agreements, and that all rental agreements are terminated, and equipment returned on time. On larger productions involving more than one Production Unit, these responsibilities may be delegated to Assistant Production Managers, who are referred to as Second Unit Production Managers, or Assistant Production Managers. In such situations, Production Managers are likely to work permanently in the main production office.

Skills

– Hard working
– Planning, organisation and administrative skills
– Excellent communication and negotiation skills
– Familiar with; budgeting, accounting, film scheduling and word processing programmes
– Understand the creative and business challenges
– Have good contacts with local equipment suppliers, and know where to recruit reliable production personnel
– Familiar with Health & Safety legislation, and know how to carry our risk assessments according to regulatory requirements
– Familiar with all insurance issues.

Requirements

You will need substantial experience in TV or film, in-depth understanding of the production process, and a network of contacts in the industry. Your experience and track record will usually be more important than your formal qualifications, although accounting skills and qualifications would be an advantage because of the budget management work involved with this job.

You could work your way up to become a production manager in various ways. A common route is to start as a runner or an assistant or secretary in the production office, progressing to production coordinator or assistant production manager. You might also start as a trainee production accountant.

Alternatively, you could progress from runner to 3rd, 2nd and 1st assistant director, or to assistant TV floor manager then floor manager or location manager. See the related profiles for more information on some of these roles.

You may be able to join the industry through a new entrant training scheme such as those sometimes offered by broadcasters, regional screen agencies and media training organisations. Competition for places is strong, and you would need to show genuine commitment and some previous relevant work experience. Contact Creative Skillset Careers for information on any schemes that may be running.

It is not essential to have studied film, video or media production before you look for work in the industry. However, you may find it helpful to take a course that includes practical skills, work placements and the chance to make contacts. Many colleges and universities offer relevant courses – check with them for entry requirements.

Attendance on industry courses covering areas such as Health & Safety, Budgeting and Scheduling, IT, and First Aid, is advantageous. Prospective employers often stipulate that Production Managers should have a full clean EU driving license.
[Tv or film Production Manager]
Most of the skills and requirements for this role I will hopefully gain over the years that I start out in production, as you need experience in the field before taking on this title. All the knowledge will be acquired over time, and so all I can do now is make sure that I enter the industry with a bang doing everything I possibly can to make a lasting impression on employers, network and make the most out of every experience and opportunity, starting with the requirements and skills need for being a Runner and Production Assistant.
Advertisements

About gailenepierre

Ambitious and driven but knows how to have funnnn :)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

JUMP FOR JOY! Photo Project

Capturing the beauty of the human spirit -- in mid-air -- around the world

pms305mc

Power Memory Spectacle

Sunil's Media Blog

This WordPress.com site is the cat’s pajamas

The last step, year 3!

Final Year, final blog!

bigbouncybalibus

This WordPress.com site is the bee's knees

Dean Atkinson

Director, Producer, Writer, Presenter

Finale Year

Greatness comes in time, with hard work and dedication.

thelifeofdeano

Life is what you make it.

sammieprior

Just another WordPress.com site

162MC

Just another WordPress.com site

kurtlambertmedia

Just another WordPress.com site

digitalfilms

a blog by Oliver Peters

documentaryproduction261

Just another WordPress.com site

Alex Holland's Blog

Just another WordPress.com site

Castlerockseb's Blog

Just another WordPress.com site

Rumena Zlatkova

Life is what we make happen

Thomas Barnes

Welcome to my head... Please wipe your feet on the way in.

%d bloggers like this: